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Lamachree & Megrum till

from The Whiteadder Tapes by OOR_Scintilla

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about

A solo voice + crwth re-working of a playful passing-time while working song, originally written to be sung to two plough horses named Lamachree and Megrum, meaning ‘lament’ and ‘migraine’(!)
The vocalisation within the song references an imagining of the Whiteadder Valley’s natural and human paths of erosion and various archaeological encounters of microliths (flint arrow heads), mythically seen in folklore as ‘fairy arrows’. Here the words collected by Gavin Greig are sung to a bowed crwth droning, patterning a modal form.

lyrics

Lamachree and Megrum (traditional)

When first I came to sair the fremt,
Lamachree and Megrum,
It was to Auchtiedoor I skemt
Auld grey Megrum.

The Auld gude-wife smokes i the neuk,
Lamachree and Megrum,
A-orderin' at the throwither cook.
Auld grey Megrum.

The neist I gaed to Middlethird,
Lamachree and Megrum,
A better's nae abune the yird.
Auld grey Megrum.

I gaed ance to Middletack,
Lamachree and Megrum,
There I got meat to make me fat.
Auld grey Megrum.

I there got buttered breid and cheese,
Lamachree and Megrum,
And oil to keep my sheen in grease.
Auld grey Megrum.

Took a turn at Aichie’s hill,
Lamachree and Megrum,
The teuchest place I e'er gaed till.
Auld grey Megrum.


A hurb to hash and haick the loon,
Lamachree and Megrum,
There's nae his like in Buchan's boun's.
Auld grey Megrum.

credits

from The Whiteadder Tapes, released September 4, 2020

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OOR_Scintilla Edinburgh, UK

OOR_Scintilla (Louisa Love + Clive McLachlan Powell) are a Scotland based experimental artist duo exploring the material poetics of sound, voice and place.

Working with numerous forms of resonance across field recording, instruments, electronics + the voice, they produce environmentally-responsive work investigating hybrid and enigmatic territories with reference to ancient folk origins.
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